Work Hard Play Hard Mix (60 minutes)

30 03 2013

comfort zoneI’ve been collecting requests from my riders and this playlist incorporates three of them, plus tackles the March Challenge to use a genre of music I’ve never used before.  For me, that was electro-swing.  Now, I confess, a month ago, I’d never heard of it.  But one of my regular riders burned me a CD and I’ve had it on heavy rotation ever since.  Unfortunately, the day I used this ride, he wasn’t in class!

Simple profile for this one: a mixed bag with lots of jumps (14 minutes) and a 10 minute fast seated flat at the end.

Rolling in Sweet Dreams (Adele vs. Eurythmics) – Daft Beatles (3:00): Julz Arney and Lisa Goldman over at Former Cycling Pingers put me on to this great mashup, which you can find here.  Time to push that tension lever until you can feel the road under your feet.  Warm-up.

The Paris Swing Box – Parov Stelar (5:23):  Hey, if you’re gonna jump into a new genre of music, jump in!  First working song of the day.  Take the first minute or so (actually 0:52 till the horns kick in) to finish warming up, then we’re going to alternate a minute of surging (seated flat, 75% max capacity) with a minute in a standing climb (add some tension for the climb, then take it off to surge.)  Two sets.  Stelar is an Austrian DJ and musician.  I got great feedback from my riders, who loved this song.  Thanks to Sandy for requesting it, and for burning a CD for me.

I Love It (feat. Charli XCX) – Icona Pop (2:35):  Swedish DJ/electro-pop duo are storming up the charts with this ditty.  Three sprint intervals 30/45/25 seconds long, all crammed into only two and a half minutes.  They’re at 0:23 – 0:53, 1:08 – 1:54, 2:10 – 2:35.  Lyrics include a couple of offensive words, but no f-bombs.

Play Hard (feat. Ne-Yo and Akon) – David Guetta (3:21):  Every once in a while, a song comes along that just seems to be perfect for cycling.  I got this request a couple of weeks ago, right after the song came out and my rider is right – it’s perfect.  Time for a standing climb with a couple of tension increases.  I also really liked the Albert Neve Remix (6:53) which is going to find its way into an all-remix ride I’m thinking about.

Scream & Shout (feat. Britney Spears) – will.i.am (4:45):  Got this request from a regular, who said it never fails to make her move.  I’d listened to it when it first came out and put it aside as a bit too slow, but after she requested it, I took a few more listens and decided it’s a jump song.  4 counts up/down with medium resistance, about 6/10.  Same offensive lyrics as I Love It (s**t and b**ch).

Go Go – Hanna Pakarinen (3:04):  A big shout out to reader Sundie in Finland for putting me on to this song by the Finnish Kelly Clarkson (she won the first Finland Idol in 2004).  It’s sprint perfection.  20/20/35 seconds at 0:40 – 1:02, 1:30 – 1:53, and 2:21 – 2:55.  Plus, Pakarinen and I share the same birthday (April 17).

Va Va Voom – Nicki Minaj (3:04):  I learned my lesson with Minaj and downloaded the clean version.  Remember that bit at the beginning about lots of jumps?  4 counts, resistance at 6/10.

Red Hands – Walk off the Earth (3:01):  A little band from Burlington, Ontario (next door to my home town), they posted a cover of Gotye’s Somebody I Used to Know on Youtube with all five of them playing the same guitar and it went viral, garnering almost 150 million views.  They have many other covers on Youtube – Adele, Maroon 5, Fun., Taylor Swift, B.o.B., Eminem, LMFAO (with a side of Harlem Shake).  They’re all low budget, living room productions, and they’re all brilliant.  WOTE dropped their first album earlier this month, and damn, it’s good.  Really good.  I am home visiting my mom this weekend and I visited their website to see if they’re playing a local club or something, because it would be awesome to see them live.  Yes it would, and I am not the first one to figure this out – they’re actually touring in Europe right now.  All of which is by way of saying, check these guys out – you’ll be hearing a lot more from them.  What? Oh yeah, we’re still riding.  Seated climb for this one.

Inner Ninja (feat. David Myles) – Classified (3:22):  Classified is a hard-working local rapper from Halifax, NS.  This is his latest (and biggest) hit.  I love it for its cheekiness and the choir in the middle.  More 4 count jumps, this time on a hill, with resistance at 8/10.

Hey Porsche – Nelly (3:29):  Critics are crapping on it, you’re not quite sure if Nelly’s crooning about a woman or a car, but it’s catchy.  I’m tapping my foot as I write this.  Leave the resistance at 8/10 for a standing climb up a muddy hill.

Karma – Kristina Maria (2:51):  Another Canadian artist, Kristina hails from Ottawa, ON.  Verses are 8 count jumps, take them easy, because for each chorus, we’re going to do 4 count jumps, double-time.  Sort of like a series of short standing runs.  Hardest work of the day here.

C’Mon – Ke$ha (3:34):  Last hill of the day, let’s take it as a fast standing climb.  Lyrics contain the words “screw around” but otherwise, it’s pretty tame.  Throw in a couple of tension increases along the way.

Bom Bom – Sam and the Womp (2:54): How can you resist a band with a name like this?  These guys mix Balkan music with electronica, so not quite electro-swing but close, and definitely not something I’ve used before.  Take the recovery you need, then we’re headed on a 10 minute fast seated flat with some sprint intervals coming up in later songs.

Catch My Breath – Kelly Clarkson (4:12):  Sprints for 30/30/60 seconds at 0:45 – 1:15, 1:48 – 2:18, 2:50 – 3:50.

If You Wanna – The Vaccines (2:54): Indie, post-punk, whatever it is, this is the song that’s been going through my head since the ride.  A fast seated flat with two sprints 12/50: 0:48 – 1:00 and 1:57 – 2:47.  Whee!

Just Give Me a Reason (feat. Nate Ruess) – P!nk (4:03):  A lovely duet with Fun.’s Nate Ruess – both have such distinctive voices.  P!nk sings about the relationship being in trouble and Ruess chimes in with “I’m sorry I don’t understand where this is coming from.  I thought that we were fine!” which makes me smile, because there are probably a lot of men out there who’ve had that same WTF moment.  Well-deserved cool down.

Carry On – Fun. (4:38):  I never get tired of Nate Ruess’s voice, so here’s some Fun. for stretching and good-bye music.





Rocky Road to Dublin Mix (60 minutes)

12 03 2013

dingle signsAh, it’s spring and everything is turning green again.  In honour of St. Paddy’s Day, which is coming up on Sunday March 17, I put together a playlist of Irish and almost-Irish artists.

For this one, we’re going to take a ride around Ireland’s famous Dingle Peninsula, on the west coast, south of Galway, impossibly beautiful in a nation of impossible beauty.  Dingle town is a rollicking place filled with pubs and the surrounding area offers massive hills, ancient stone walls, ruined castles, and frequent stops to let sheep cross the road.

I was lucky enough to bike the Dingle peninsula on a house-swapping trip with my mom and sister in 2000.  (Yep, a house swap.  As in, an Irish family came to stay at my mom’s place just outside Toronto and we stayed at their place in Dublin.  We even had the use of their car, although their insurer was a bit jaded and insisted we pony up $200 because apparently, North American drivers don’t have the best track record driving on the left.)  While in Dublin, a cabbie told me that “Irish is a state of mind,” prompting a previous St. Patrick’s cycling mix here.  As it happens, I am one-quarter Irish through my maternal grandfather, and I have the pasty skin and love of music to prove it.

dingle townWhen I’m Up (I Can’t Get Down) – Great Big Sea (3:24):  Okay, not exactly Irish but by God, if you took the west coast of Ireland and smooshed it into the closest land mass to the west, that’d be Newfoundland and Labrador, a place of Irish immigrants and strong traditions.  Back in 1994, I was hiking on The Rock (as they call it) with some friends, and we popped into a record shop in St. John’s – this was back when they still had record shops.  We asked the clerk who the next big band out of the province would be, and without hesitation, he said, “Great Big Sea.”  They’d played their first gig less than a year before and had one CD out.  We bought it.  They’ve since gone on to four Platinum and six Gold albums in Canada.  This is the most successful of their many songs.  Let’s adjust the resistance until we can feel a flat paved road underneath our feet.  Nevermind – it won’t stay flat for long.  We’re riding easy through Dingletown, with its thatch-roofed homes and cheery pubs.

The Boys Are Back in Town – Thin Lizzy (4:30):  How am I just finding out that these guys are Irish?  We’re passing the town limits.  To our left is an ancient Druid cairn.  The road isn’t in great condition – time for some jumps.  8 counts up and down with the music.  You won’t need much tension for this – maybe 4/10, they’re plenty challenging, but coach a couple of optional tension increases.

I’m Shipping Up to Boston – Dropkick Murphys (2:34):  Alright, you got me again, these Celtic punk rockers hail from Quincy, Massachusetts.  The road evens out and gets a little better so we’re going to stretch ourselves with some speed work.  Recover to 0:30 then do sprint intervals: 15 seconds on/15 seconds off.  You’ll have time for four of them.

Mari Mac – Great Big Sea (3:19):  There I go with the Great Big Sea again.  This song is tremendous fun and regularly has the audience singing the chorus, “my mother’s making me marry Mari Mac!”  Recover to 0:45 and then MORE sprints, three of them, each 30 seconds long at 0:45 – 1:15, 1:45 – 2:15 and 2:45 – 3:15.

Brown Eyed Girl – Van Morrison (3:03):  The sun comes out over the water as we pick our way along the sharp curves that hug the coastline.  There’s a panoramic view of the Atlantic Ocean to our left.  Four count jumps along the rising road, resistance at 6/10 – these are almost as challenging as the previous set.

Dreams – The Cranberries (4:15):  We’ve got some rolling hills to climb now, ever upward.  We’ll do lots of small tension tweaks – two or three upward, then down again, as we tackle this hill.  Come on up out of the saddle for this one.  Hey – what’s that ahead?  Another group of riders.  They’re recovering at the top of the hill, drinking some water, enjoying the view.  Let’s try to catch up with them.

The Kilburn High Road – Flogging Molly (3:43):  Purists will point out that this band hails from LA, but they are Celtic punk rockers and the lead singer was born in Dublin, so that makes them Irish in my book.  This song appealed to me because when I lived in London, England, I lived just off the Kilburn High Road.  It’s a scrappy working neighbourhood.

We catch up to the other riders and they propose a friendly race down the hill and across the valley to the base of the next, much larger, hill.  The wager is a round at the pub back in Dingletown.  Are you in?  We’ll take the song at our race day pace, about 80-85% of maximum effort.  I use visualization throughout the race with two riders in the other group leading and separate attacks to pass each of them before we get to the base of the hill.  I promise everyone they can have as much time for recovery as they want or need when the song ends.

Magnificent – U2 (5:24):  Whew… everyone is sucking wind and water.  We bid goodbye to the other riders, who are heading inland.  We’re going over this hill and hugging the coast.  With this song, and the next, we’ve got a 10 minute climb ahead of us, so take as much time as you need to feel ready to work again – you’re still going to get lots of hill.  We’re going to take the first half of the hill seated, so let’s jack up the resistance, push back in the saddle, and go.  I coach a few tension increases on the way, and caution riders that they should always be able to ride with the music.  If they can’t, they have too much resistance on the bike and need to back it off.  I’d have no Irish credibility at all if I didn’t include some U2 in this mix.  They’re only the most famous Irish band of all-time.

Whisky in the Jar – Metallica (5:05):  A traditional Irish folk tune, covered by… Metallica?  You bet.  Thanks to Bill Thomas on Facebook for this one.  It’s a relief to come out of the saddle, take the resistance back, and push to the top.

Desire – U2 (2:59):  It’s the top of a U2 sandwich!  Now that we’ve reached the top of the hill, the road levels out to a fast, steady flat.  Take this one at about 70% of your maximum effort.  Those who need more recovery can take what they need and rejoin us when they’re ready.

Mandinka – Sinead O’Connor (3:49):  Another smaller hill to tackle here.  Medium tension, out of the saddle.  This song would also work for 8 or 4 count jumps if you felt like doing some more of those.

Rocky Road to Dublin – Irish Descendants (5:32):  This group of second-generation Irish Newfoundlanders offers one of dozens of covers of this Irish folk song that dates back to the 19th century.  Time for some single-leg training: 15 seconds each leg, then 30, 45, 60 seconds with one leg doing all the work and the other coming along for the ride.  Keep your feet in the cages if you’re not clipped in, and focus on making smooth circles with enough tension to make you happy when it’s time to switch legs.  There’s 30 seconds for recovery here as well.  You can space it out 15 seconds at the beginning and end, or however you like.

The Old Black Rum – Great Big Sea (3:31):  This is a perrenial pub favourite here in the Atlantic provinces, with pub-goers much prone to chiming in on the boozy chorus: “the old black rum’s got a hold on me, like a dog wrapped round my leg”.  We’ve swung around on our way back to Dingletown and hit a long flat – perfect for a bit of speed.  Recover to 0:38 then tackle two sprint intervals of 45 and 55 seconds at 0:38 – 1:22 and 2:20 – 3:14.  We’re brought up short by a herd of sheep crossing the road.  There are some other cyclists waiting, too – our friends from eariler.  While we wait for the sheep to make their way across, our friends demand a rematch.  Another race, this time to the town limits, double or nothing?  Sure.

Swagger – Flogging Molly (2:05):  The whole song is a race to the finish line, 90% effort for as long as you can stand it.  This time the other riders are determined to beat us, but we’re not going to let that happen, are we?

dingle fieldsThe Unicorn – The Irish Rovers (3:18):  Shel Silverstein wrote it but the Irish Rovers ran with it and it became their biggest hit.  The group is Canadian but two of the members were born in Ireland.  They had their own CBC musical variety TV show through much of the 1970s, which helped to popularize Irish folk music across the country.  (We spent many an evening with the Rovers at my house.)  When I told my classes that I was working on a St. Patrick’s ride for this week and asked if they had any requests, this was the one that came up.

This mix needs one more song for goodbye music.  I was torn: Black Velvet Band?  When Irish Eyes are Smiling?  Something from the Pogues?  Chieftains? Riverdance?  Corrs?  The Script?  That one’s yours… I want to finish with a big shout out to the former cycling pingers and to Chris over at Chrispins, who provided all of the great music ideas for this ride.

May the road rise up to meet you.
May the wind be always at your back.
May the sun shine warm upon your face;
the rains fall soft upon your fields and until we meet again,
may God hold you in the palm of His hand.

Happy St. Patrick’s Day!





Spinning Music’s Top 25 Cycling Tunes of 2012!

15 01 2013

Top 25 Spinning TunesWhat a year 2012 was!  This little blog collected some 860,000 views in 2012, pushing it past 2,000,000 mark since its inception in May 2008.  Readers from 184 countries dropped by for music ideas and advice – that’s more than 90% of the countries in the world.  Crikey, I’ve only visited 18 of them – I’d better get going.

Props to Dana, BAR, Wilma Perez, Brenda T and Steve at Stevespinlist for being the most active commenters of 2012 – thanks to each of you for your many contributions.

I’d also like to send a huge shout out to the sites that sent the most traffic over: Spinning Mixes, The Sufferfest, Facebook, Pinterest and Chrispins.  Everyone knows Facebook and Pinterest, but if you haven’t checked out Spinning Mixes, The Sufferfest and Chrispins, you’re missing out. 

J.R. Atwood’s Spinning Mixes was the inspiration for this blog and even though he’s not actively updating it anymore, it’s still got some fine alt-rock rides that stand the test of time.  Singapore cyclist David McQuillan’s Sufferfest is the place to go if you want to add video and coaching to your training rides.  His videos have garnered rave reviews from CyclingNews.com, VeloNews, Triathlete, and Cycling Weekly, AND he offers a money-back guarantee.  Chrispins is the WordPress blog of a New York cycling instructor and contributor over ICI/Pro.  Chris is an incredibly prolific blogger (I am in awe!) and offers tons of great music suggestions through Spotify – it’d take you days to check out all of them.  (You can find her ‘Best of 2012′ playlist here.)

Speaking of ‘Best of Lists,” each new year brings a slew of ‘best of’ lists and this year is no exception.  Rolling Stone magazine offered their eclectic take on the best 50 songs of 2012 here; Billboard magazine weighed in with their top 20 here, and The Huffington Post here.  Shape Magazine’s 50 best workout songs of 2012 are here , and Toronto radio station Z103.5′s top 103 songs of 2012 are here – the latter two are definitely the lists that are most sympatico with my own musical tastes.  (By the way, what’s up with all of the ‘best of’ lists that require hugely annoying clicks – and waits – to view each song on the list?  Do the folks at these sites think I’ll be more likely to click on the ads if they do this?  Just gimme the list.)

This blog isn’t immune to the ‘best of’ bug either.  Each year since 2008, I’ve called out what I think are the top 25 cycling tunes of the year.  So, without further ado, here is my take on the 25 very best indoor cycling songs of 2012:

1.  50 Ways to Say Goodbye – Train.  I liked Drops of Jupiter, but you can’t cycle to it.  This tune, though, became my favourite of the year for it’s heart-pumping, quad-pushing chorus.  How can you not dig deep and find just a little more energy when you hear this one?  Love, love, love it.

2.  Call Me Maybe  – Carly Rae Jepsen.  Unquestionably the song of summer 2012.  I use the original as a warm up or for jumps; the Manhattan Clique Remix is perfect for climbing and it’s peppy pop perfection distracts from the fact that it’s one hell of a six minute hill.

3.  Somebody I Used to Know (Tiesto Remix) – Gotye.  Inexplicably absent from the ‘best of’ lists I looked at (but nominated for two Grammys!) this breakout hit has more than 366,000,000 views on Youtube and reached #1 in the USA, UK, Australia, Canada along with 22 other countries, and was a top 10 hit in 30 more.  I love it as a climb, in or out of the saddle.

4.  Some Nights – Fun.  Perfect cool down energy.  For a version that will support a climb, check out DJ Space’C's workout remix, but it’s the original version that makes me stop and listen.  (This one is Chrispin’s #1 song of 2012.)

5.  Don’t Wake Me Up – Chris Brown.  Pure sprint interval bliss.

6.  Die Young – Ke$ha.  Climbing, jumping, whatever you do to this song, you’ll be humming it on the way out of the gym.

7.  Gangnam Style – PSY.  It collected 1.1 BILLION Youtube views and you can cycle to it.   What more can I say?

8.  Babel – Mumford & Sons – A glorious seated climb, this song debuted at #1 in the UK and on the US Billboard Chart.  Celtic music is enormously popular in Nova Scotia.

9.  Breakn’ a Sweat (Zedd Remix) – Skillrex and The Doors.  I use this one as a warmup or a combo surge/climb.  Bonus points for the title.

10.  Rumor Has It – Bump n Grind.  Some readers are going to want to pelt me with eggs for skipping over Adele for an unknown cover band, but dammit, Adele is hard to cycle to and this extended cover is true to the original and rocks.  (Surely that IS Adele on vocals?)  Plus, Adele’s CD 21 doesn’t qualify for the Top 25 list because it wasn’t released in 2012.

11.  Pound the Alarm – Nicki Minaj.  Had to buy this one twice, ’cause the explicit version is, well, explicit.  Works for jumps or climbing.

12.  I Cry – Flo Rida.  No doubt about it, Flo Rida records catchy tunes and has a real knack for sampling.  Rolling hills, anyone?

13.  Mighty Love (Instrumental) – Eric Prydz.  A perfect climb/surge combo song.

14.  Locked Out of Heaven – Bruno Mars.  It’s The Police!  No, Bruno Mars!  Two juicy sprints in this one.

15.  Amnesia (Radio Edit) – Ian Carey and Rosetta.  This is the other male/female accusatory duet of the year (the other one being Gotye’s Somebody That I Used to Know.)  Amnesia reminds me a little of Timbaland’s The Way I Are, but I like Amnesia better.  You can use it as a straight climb or throw in some sprints.

16.  Hall of Fame (feat. will.i.am) – The Script.  If I could only cool down to two songs this year, I’d be happy with Some Nights and Hall of Fame.

17.  Never Close Our Eyes – Adam Lambert.  I think my favourite part of this song is the build right before the chorus.  I always coach the riders to slow and wait…wait….wait and then explode into the sprint.

18.  Don’t Stop the Party – Pitbull.  Who has more fun than Pitbull?  Jumps!

19.  Blow Me (One Last Kiss) – P!nk.  My favourite part of this sprinting tune is that I coach the sprints as 30/30/60 but secretly, they are 33/33/1:07 so I extract an extra 13 seconds of work from my riders.  I generally confess and get some wry laughs when the song ends.

20.  Good Time – Owl City and Carly Rae Jepsen.  Perfect warmup energy.

21.  The Veldt – Deadmau5.  Whether you go with the radio edit at 2:50 or the “8 minute edit” that clocks in at 8:39 or an even longer edit at 11:32, this song is perfect for warming up, zoning out with a long tempo drill, or even a combo climb/surge.  Feel like throwing in a few jumps?  Those work, too.  One of the most flexible songs of the year, I’m still thinking of things to do with it.

22.  Sweet Nothing (feat. Florence Welch) - Calvin Harris.  One of my go-to zone out songs for the year, it’s so easy to close your eyes with this one and just ride.

23.  Body Work (feat. Tegan and Sarah) – Morgan Page.  A great climbing or tempo tune from this Grammy-nominated American DJ.  Bonus points that the lyrics talk about “my pulse working overtime…”  I heard a fast remix on a local radio station and I’ve been scouring iTunes to find it – so far to no avail.  Anyone know it?

24.  Home – Phillip Phillips.  I’ve used this song for cool downs but I think it would work just as well for a tempo run.

25.  Kiss You Inside Out – Hedley.  These Canadian alt-rockers have mastered the urgent power ballad.  I use this versatile tune for climbing, jumps, warming up, single-leg training….

A few more songs that came close, but didn’t quite make the cut… Don’t You Worry Child by Swedish House Mafia, The House that Heaven Built by the Japandroids, Turn It Up by Kardinal Offishall, Carry On by Fun, Red and We Are Never Ever Getting Back Together by Taylor Swift, Whistle by Flo Rida, Part of Me by Katy Perry, Let Me Love You by Ne-Yo, Karma by Kristina Maria, The World is Ours by Eleven Past One, the recent remake of the classic Cyndi Lauper tune True Colors by Artists Against.

There are a few other great songs that didn’t qualify because they were released in December 2011 but didn’t hit my radar until 2012: Wild Ones by Flo Rida, Titanium by David Guetta, and Everybody Talks by Neon Trees.

So, what do you think?  Did I get it right?  Any unworthy choices?  Any egregious omissions?

I was reading the free local Metro News today and came across journalist Jessica Napier’s description of indoor cycling classes:  She says they’re “kind of like burning calories in a night club except you’re pedalling instead of grinding and that water you’re chugging down doesn’t have any vodka in it.”  I never thought of cycling classes this way, but I will admit that when I do get to a nightclub (which is about once a year these days) I become an excited geek because I know all the songs.  So maybe the parallel with clubbing isn’t off-base after all.





Interview with Schwinn Master Trainer Chris Roche

4 01 2013

chrisrocheB&WChris Roche is a fitness professional with more than fifteen years of experience.  He belongs to an elite group of fewer than 60 Schwinn Master Trainers worldwide and is certified by CanFitPro, the American Council on Exercise, and the American Academy of Health, Fitness and Rehabilitation Professionals (among others).  He is also a Master Trainer for Tabata Bootcamp.  (You can find a more detailed bio here.)  Chris and I sat down to chat on December 10 via Skype.

My questions for Chris are reproduced in bold.  Where the question comes from a reader, I’ve indicated his or her name.  Where no name is listed, the question is mine.  Chris’s answers are listed below each question.  I took notes as we talked but I didn’t record the interview, so I’ve paraphrased and condensed his answers rather than offering direct quotes.  Any direct quotes I do use are enclosed in quotation marks.

What are the secrets for taking on a class and growing it to maximum capacity?  How do you fill the last few bikes?

Chris:  I think the key is to develop a rapport with the class.  Greet them at the door.  Learn everyone’s names.  Circulate off the bike.  Refill water bottles.  Talk to everyone.  If I think someone will be okay with it, sometimes I’ll check in mid-class: “How are you doing, Barb?”

Stay in touch.  I create a contact list and ask riders to give me their e-mail addresses to receive updates.  I also use Twitter and Facebook.  I explain the next month’s ride in advance (usually at the end of the previous month).  Typically I focus on the training intensity, so people can choose whether to come out based on how it fits into their training.

“I allow for personal feedback by having them email me suggestions of comments (like, don’t like., want more of) and especially about music suggestions.  If I email ‘Lisa’ and tell her I put her favourite song in my play list and even found an incredible REMIX of it,  AND I’m using it for a hard hill climb,I know two things.  ONE: she is showing up to class and TWO:  She will kick butt on that hill!  :-) (and she will tell people I did that for her!)”

I encourage people to bring a friend to class.  I also encourage people doing weights to come on in for the warmup, or just the initial part of the class.  Often, they’ll stay for the whole thing.

From Ann:  How do I ensure my class is challenging for athletes but still welcoming for beginners?  I end up saying, “push yourself!  a little faster! a little harder!  but if you need to stop, that’s okay!”

Give riders complete permission to have fun – it’s their ride, they’re the boss.  If people like you, they’ll come back.

I also make a point of introducing beginners to a regular in my class.

Every instructor wants to see people lined up out the door for their classes.  What are the common attributes of the instructors who generate this kind of following?

Chris:  First, these are people who’ve been working at their craft for years.  They’re involved.  They know their riders and make them feel confident.  Always create an environment for success.  It shouldn’t be intimidating.

Arrive early and help with set up.  Plan your classes well in advance – not as you’re walking from your car to the studio.  [Cynthia: None of my readers do this, right?]  Arrive with a fully planned class and playlist in hand.

My motto is: “focus on the fun, the fitness will follow.”

I pick up regular riders with some frequency.  I’ll see them every week for a long time, but after 6-12 months they’ll drift away and I’ll only see them occasionally.  Is this just the way of things or is there something I can do to keep them?

Chris:  There is attrition over time.  Keep saying hi when you see them, check in with them from time to time via Twitter or Facebook.  Just stay in touch in a friendly way.

My classes are made up of about 50% regular riders and 50% drop ins, so I almost always offer an interval ride.  Is there a way to incorporate some elements of periodized training into my classes?

Chris:  I plan my classes monthly.  Every class I do that month is the same profile with the same music.  My regulars know what to expect and can alter their training accordingly.  I offer choices to drop in riders: “Can you work harder?”  If not, that’s okay.  [Cynthia: See Ann?  You're not the only one!]  I start in January with an endurance class to build a strong base.  February moves into higher-intensity training and in March, I use an interval class.  Using the same class for a month allows riders to focus on their progress.

I don’t find that people ask for more variety.  Other exercise and nutrition programs don’t change weekly.

From Marianne: How do you motivate riders to push each other forward?

Chris:  Have riders high five the person to their right and left to encourage each other.

Another thing I do is put the riders into teams of three and ask them to choose a team leader.  First interval: everyone works hard.  Second interval:  The two teammates cheer on the leader, who goes breathless.  I’ll choose a winner from among all the team leaders.  Later in the class both teammates will get a chance to go breathless while the leader cheers them on and I’ll ask each team leader to choose a winner.  [Cynthia: can't wait to try this one!]

From Kate:  What are some encouraging things I can say to motivate my class to give their best performance?  From Ann:  Do you have any advice for coaching a heterogeneous group of riders (high school to mid-80s)?  They don’t use heart rate monitors.

Chris:  I try to motivate people individually.  I describe intensity via confidence: “if you know you can complete two minutes easily, add more resistance until you’re not confident you can complete.”  I will say, “How do you know if you don’t try?  Find out by doing it!”

People will work harder if they know an interval is short.  I always tell them how long an interval will be.

Sometimes I’ll hold up a hand and ask everyone to do the same.  “I say, “NOW ..DON’T PUT IT BACK ON THE HANDLE BARS….PUT IT ON YOUR RESISTANCE DIAL,” and say, “I can’t make you turn it, but if you can – try.”

I use a game where I split the class into five groups.  Each group goes hard for 30 seconds at a time.  If someone in the group slows, they lose a point.  At the end of the game, I declare a winning group.  [Cynthia: I get motivated just thinking about this one!]

From Marianne: Are you willing to share one of your profiles (using the Schwinn protocol for zones and stages?)

Chris:  Yes!  I’ll send one along to Cynthia.  [Cynthia:  Here it is (in Word format): Chris Roche Ride and as a PDF (header cut off): Chris Roche Ride].

How much time do you spend in each of the Schwinn intensity zones?  [Zone 1 = easy, warmup; Zone 2 = moderate, comfortable challenge; Zone 3 = hard, uncomfortable challenge, race pace; Zone 4 = breathless, anaerobic.]

Chris:  I think it’s important to know your riders.  Beginners need lots of permission to do their own thing.  I spend most of my classes in Zone 2 and Zone 3 – mostly Zone 2.  If you use Zone 4 too much you need lots of recovery time.

The latest thing in exercise is high intensity interval training (HIIT).  How would you incorporate HIIT into a cycling class?

Chris:  In a true Tabata class, you do only one set.  I’d start with a really good warmup for 10-15 minutes using differing intensities and positions.  To incorporate high intensity intervals, you could do 20 seconds of hard work followed by 10 seconds off.  Repeat eight times for a total of four minutes, then recover.

Giving appropriate recovery is the most important thing.  If you’ve gone anaerobic, you usually want to offer at least a minute of recovery, but there’s no rule of thumb for how much recovery time to use.  You might plan to use two minutes and then modify as you go.  I like to ask my riders, “Are you ready to work again?”  How can you be confident they’re ready if you don’t ask?

The rest of the class would involve only Zones 1, 2 and 3.  You can ask people to hold Zone 3 for 1-2 minutes, followed by recovery.  (Some people can sustain 3-5 minutes in Zone 3 without going breathless.)  Ask “how long can you go and still have a sprint in you?”  You could design a whole class around the concept of ‘peak and sustain’.

High intensity intervals aren’t appropriate for everyone.  You can suggest that people skip one or more of them if they don’t feel ready to do them all.  Anaerobic is a window of opportunity, not a unit of time.  Riders should push for as long as they can, then back off.  The interval is as much as they can do.

From Kees:  What music do you use?

Chris:  I get music ideas from several places.  The Schwinn Facebook page is great.  I’m best friends with Shazam.  I’ll listen, Shazam, then find the song on iTunes.  Rdio has differing subscription levels.  Indoorcycleinstructor.com has subscription-based and free content.  The My Fitness DJ Pro app loads music and coaching cues that will scroll as the music plays.  [Cynthia: downloaded this one - thanks Chris!]

From Marianne: Are you on Spotify?  What’s your handle?

Chris:  I am not on Spotify.  Unfortunately it isn’t available in Canada yet.  (I live in Toronto.)  [Cynthia: there are multiple on-line rumours that Spotify is coming to Canada in 2013 but no firm announcement yet.]

How do you choose music for a ride?

Chris:  Totally by feel.  Be brave.  Go past top 40, the stuff everyone is playing.  Go past your own musical tastes.  Find a unique remix, explore a different genre.  Try something totally experimental.  My friend Ava uses polka music in her classes and wins instructor of the year.  If I tried that, I’d be strung up.  Listen a lot and Shazam everything.

Having a signature musical style will definitely draw people to your classes, but eventually even those who love your genre will want a change.

When I plan rides, they don’t change much but the music does.  Sometimes I’ll use the same ride with completely different music a year or more later.  You can recycle a previously planned ride with new music and the ride will feel different.

“Re Organizing Play Lists: Pretty much here is the deal: Aside from special presentations etc I need only 12 playlists so no big deal.  My playlists are always on my ipod and in itunes.  I feel we try to save wayyyy to many play lists for some ‘just in case” reason that may never happen.  At the end of the year, and sometime even before that I delete playlists from my itunes and ipod.  (I have even deleted RIDES from my documents. Some are saying,, OMG what? Is he crazy??   Find a new road!)  The songs are still in my library and I can make another list. This “encourages” me to be creative again and not fall back on what was. It’s my musical way of ‘burning the boats’.”

“BIG QUESTION:  Why are you keeping allllll those playlists anyway?  If you haven’t used it in 3 months, delete it. Move on!  BE BRAVE! HIT THAT DELETE BUTTON!  Just like clothes,,, you have to do a purge once in a while. You will feel soooo good when all those lists are gone.  So don’t be a play list pack rat!  Say NEXT! and have fun PURGING!”  [Cynthia:  O, I am not brave enough...yet.]

What’s your favourite indoor cycling song?

Chris:  A remix of Silver Strand by the Corrs.

Do you have any tips for assisting with bike set up?

I trained one of my regular riders and now she helps me do bike fits at the outset of class.

From Marianne:  If you are subbing a class and you see some contra-indicated moves, do you correct people, or just explain why you’re doing something a certain way?

Chris:  I will comment to the class as a whole, or ask everyone to check some aspect of their form.  I get off the bike and wander around.  I’ll make eye contact, maybe touch someone or wink at them.  When I get back on the bike, I’ll say, “If I touched you or winked as I walked around, I noticed something about what you were doing [that you could improve on.] What was it?”

The other thing I’ll do is call out people for doing something right.  I’ll get everyone to look at how they’re doing it.

You must get asked the same questions again and again.  What are the top three things experienced instructors want to know more about?

Chris:  The #1 thing experienced instructors want to know about is class design.  They want to make their classes more interesting.  Often, I’m trying to get them to simplify their classes.  I want them to bring the outdoors in.  It doesn’t have to be fancy.  People don’t jump up and down on the treadmill – they just run.  There is no wrong way to design a class if the recovery, intensity and cadence are all appropriate.

The #2 thing I get asked about is contra-indicated moves, things like hovers, pushups, jumps.  I think the easiest answer is that if left alone, the biomechanics look after themselves.  If I have to tell you where to put your hands, it’s probably not going to work.  [Cynthia: I love this common sense approach.  Our bodies know what to do.]

The #3 thing I get asked is, “Does this ever get any easier?”  I think you just get better at doing it longer – it becomes second nature to coach without losing your breath.  “For those reading this that are lovers of cycling and new to teaching, ESPECIALLY those who have been teaching for years then add cycling to their skill set….BEEEE PATIENT!  Coaching is a skill and can also be just as much fun BUT all skill takes time to develop. So, final answer…BE patient, courageous, safe and Focus on the fun!”

“Thank you so much for asking me to do this.  I love love love the blog and I am totally happy to reply directly to or through you to whomever has any addition questions.”

Thank you so much Chris, for taking the time to share your expertise with us.  I’m going to bet that every single instructor who reads this interview will take something new from it that they can implement in their classes.  I know I did.  Want to follow Chris on Twitter?  Find him at @TdotChris.





Ho Ho Holiday Mix 2012 (60 minutes)

12 12 2012

Santa on Spin BikeI’m teaching my last class of 2012 tonight and I want to tip a hat to the fast-approaching holidays, but since it is only December 12, I don’t want to run an all-holiday themed playlist.  This is the ride that I put together for tonight – a little bit holiday, a little bit kick-your-ass.

O Saya (iSweat Dance Mix) – iSweat Fitness Music (5:17):  Warmup, easing into a faster pace for the last couple of minutes.

Thunderstruck – AC/DC (4:52):  How excited was I when the AC/DC catalog appeared on iTunes the other week?  I’ve been scheming on how to use AC/DC ever since.  Kick up the resistance and let’s head into some rolling hills.  This is no wussy holiday playlist, no siree.

Stoned in Love (Commercial 12″ Mix) – Chicane feat. Tom Jones (5:02):  Needed an extra song.  Rooted through my music and came up with an extended mix of this old favourite.  It’s a combo standing climb/sprint 30/30/45 seconds.  The sprints are at 1:14 – 1:44, 2:28 – 2:58 and 3:27 – 4:11.

Deck The Halls – The Festival Rock Orchestra (2:59):  A seated flat.  Singing optional.

Hallelujah (Remix) – Mannheim Steamroller (8:10):  A combo standing climb/jump, mid-tension about 6/10.  One minute of climbing followed by a minute of jumping.  Two sets of 8 count jumps, two sets of 4 count (can do 2×8, 2×4 or 8/4/8/4).

Christmas in Sarajevo – Trans-Siberian Orchestra (3:25):  Recover to 0:32 then tackle one mother of a hill in this seated climb.

Run Rudolph Run – Bryan Adams (2:43):  We need some speed after that one, and here it is: sprints 15/30/50 seconds on/off.  The sprints are at 0:10 – 0:25, 0:40 – 1:10 and 1:40 – 2:30.  Whee!

Right Now – Rihanna (3:02):  We’re going to do a jump sandwich with rolling hills for the bread.  Rolling hills start here.

Little Bad Girl (Instrumental Edit) – David Guetta (4:03):  Jumps on a hill – 8/4/2 count – 2 min each at 7/10 resistance.

Don’t You Worry Child (Radio Edit) [feat. John Martin] – Swedish House Mafia (3:33):  The rest of the sandwich – more rolling hills.

Aisha (Aly and Fila Remix) – Gaia (7:12):  A combo surge/climb/jump.  Take some recovery, and when you’re ready, head into a surge until 2:30.  At 2:30, come out of the saddle into a standing climb.  You’re going to get a minute of easy recovery here from 2:55 – 3:55 but stay up if you can.  The music builds from 3:55 to a &?*?#!! 40 second uphill sprint from 4:34 – 5:15.  Recover to 5:35, then from 5:35 – end we’ll do 8 count jumps.

Some Nights – DJ Space’C (4:34):  Another combo, this one a tempo drill with three 15 second sprint intervals to keep us on our toes.  From 0 – 1:15 take recovery and ease into your tempo pace.  The first sprint hits us at 1:15 – 1:30, and is immediately chased with 30 seconds for recovery from 1:30 – 2:00.  The second sprint runs from 2:00 – 2:15, with another 30 second recovery.  The final sprint is from 2:45 – 3:00 followed by (you guessed it) 30 seconds of recovery.  From 3:30 – 4:30 we’re going to ride tempo again to the finish.

Carry On – Fun. (4:38):  Some well-deserved cool down with this inspirational song from Fun.  (Another one I’ve been trying to use for a while).

We Wish You a Merry Christmas – Weezer (1:25):  You didn’t think I could leave all the holiday songs in the middle?  Some extra stretching and goodbye music.

Some songs I wish I could have included are Candlelight by the Maccabeats (a funny take on Taio Cruz’s Dynamite) and anything from the Twisted Sister Christmas Album (yep, they have a Christmas album).

If you are looking for more holiday-themed playlists, here is Schwinn Master Trainer Denise Druce’s holiday playlist for 2012 (notice I stole a couple of song ideas from her):

Schwinn Master Trainer Chris Roche put me on to an awesome resource – Schwinn’s Indoor Cycling Official Facebook site.  If you’re on Facebook (and who isn’t?)  cruise on over and join the 3,700 others who like it for indoor cycling discussions, advice from Master Trainers, song ideas and more.  (My only beefs are that they rely heavily on Spotify, which I can’t get in Canada (yet) and quite a few of the older links seem to have expired.)  Instructor Amanda Ebner posted her holiday ride on the site here (look under ‘recent posts by others’ to find it).
And here is another Schwinn holiday playlist that you can find on Spotify here (sorry, playlist doesn’t mention artists, but I’m sure they won’t be hard to find, especially since the exact times are given):
 Do you have a favourite holiday song we haven’t mentioned?  Tell us, tell us!
Look for two more posts before year end – my interview with Schwinn Master Trainer Chris Roche (before the holidays) and Spinning Music’s Top 25 Spinning Songs of the year (after).




Gangnam Style Spin Mix (60 minutes)

22 10 2012

Hot on the tail of October 15th’s Rumour Has It Spin Mix is another mix of brand new and charting tunes (with no duplicates!)  Two all-new mixes in a week?  What’s gotten into my Wheaties, hey?

I used a 45 minute version of this mix for today’s class and one of my long-time regulars told me she thought it was the best ride I’ve ever done.  (!!)  She asked if I would use it again for my Wednesday class (normally, I wouldn’t, since I know she attends both, but with feedback like that, why not?  Never mind, in six months she’ll be begging me not to pull out the Gangnam Style ride again.) 

I caught a clip of South Korean artist PSY on the Ellen Show - where he shows Ellen and Britney Spears how to dance Gangnam Style.  His secret?  “Dress classy and dance cheesy!”  How can you not love this?

Diamond Jigsaw – Underworld (5:37):  I didn’t catch this cool track from UK electronica group Underworld when it came out in 2010.  Pity, because it’s a great warm up tune.  (If you’re in a shorter class and don’t need 5.5 minutes of warmup, just transition a bit earlier – the song supports this.)

I Need A Hero – Andrew Spencer & Blue Nature (6:04):  Another great find from Di at her blog, Work Out With Di.  We’re going to start working today with a punishing combo drill.  Just to show that I’m not a complete monster, take the first 30 seconds to swig some water and get ready.  From 0:30 – 1:00 we’re going to pick up the pace into a surge (a seated not-quite-sprint, about 80% effort)  Then we’re going to alternate 1:00 minute of climbing out of the saddle with 1:00 minute of surging.  Here goes:  1:00 – 2:00   Climb  /  2:00 – 3:00   Surge  /   3:00 – 4:00   Climb  /  4:00 – 5:00   Surge  /  5:00 – 6:00   Climb.

Turn It Up (feat. Karl Wolf) – Kardinall Offishall (3:31):  I can’t relate to a lot of Offishall’s music but I love it when he gets radio-friendly, as he does with this track, and his 2008 hit, Dangerous.  You heard him, turn the resistance up and keep climbing.

Pound The Alarm – Nicki Minaj  (3:26):  Ugh – more climbing.  By the time we finish this hill, we’ll have 8:00 minutes of climbing behind us.  We’re going to grind to the top here, slower pace, high tension: 7/10., 8/10, 9/10.  Make sure you download the clean version of this tune – iTunes has $1.29 I’ll never get back and there’s no way I can play the standard version in class.  (They really oughtta have a feature where you can swap the filthy version for the clean version without paying for the song again.  Sheesh.)

Faster, Harder, Scooter – Scooter (3:46):  Whee – some speed work.  Let’s do 15 seconds off, then 15 seconds of sprinting in the saddle, followed by 30 off and 30 seconds on, then 45 seconds off and 45 on.  When you get to the 3:00 minute mark, you can keep going to 3:35 for a total of 80 seconds of all-out-effort, if you’ve got the juice.  Wanna?

Don’t Stop the Party – Pitbull (3:26):  Jumps!  For a change, let’s do 4 counts up/down for the verses and 8 counts for the choruses.  Mid-range tension, maybe 5/10.

Gangnam Style – PSY (3:39):  Sure, iTunes has an English remake but I went with Psy’s original song in Korean.  We’re at the bottom of another two-song hill here – 7 minutes of climbing.  Ready for some rolling hills?

Sweet Nothing (feat. Florence Welch) - Calvin Harris (3:34):  Keep… climbing….

Blow Me (One Last Kiss) – P!nk (4:16):  Back into the saddle for some more speed work.  P!nk’s latest gives us three opportunities to sprint at 0:48 – 1:21, 1:59 – 2:33 and 3:07 – 4:14 (33/33/1:07).  We’re really stretching the sprint intervals today.

Domino – Jessie J (3:52):  This track had been hanging around on my iPhone for a few months.  It was clearly a jump song, no issue there - but I was waiting for the right mix to use it.  Let’s do the opposite of the last jump track: 8 counts for the verses and 4 counts for the choruses.

Locked Out of Heaven – Bruno Mars (3:53):  I was one sprint song short of a full playlist, so of course, I turned to reader Spindarella, who put me on to this brand new track where  Bruno Mars channels Sting.  If you’ve got the juice, climb out of the saddle for the verses and take the choruses as standing sprints.  There are only two, at 0:57 – 1:22 and 2:17 – 3:10 (25/50 seconds).  No juice?  Remain seated and take the verses for recovery.

Survival – Muse (4:17):  I must be the last person on the planet to hear this song, which was the official song of the London 2012 Olympics and channels some of Queen’s anthemic work.  This couldn’t possibly be anything but a seated climb, so let’s get to it.

Feel So Good (Radio Edit)Calvin Harris (3:28):  I originally had this song where Locked Out of Heaven is, but I used Feel So Good as the last song in my 45 minute class today and it worked beautifully.  It’s a tempo drill starting at 0:45.  I coached my riders to choose a cadence and resistance that they could maintain for 2:30 but that would leave them utterly spent by the end, and judging from how many were sucking wind when we finished, they did and they were.  (The last 12 seconds are a freebie.)

Some Nights – Fun (4:37):  I can’t get enough of this gorgeous, gorgeous song from Americn Alt-rockers, Fun.  The video follows two soldiers in the American civil war and is nothing short of magnificent.  I know I’m not the only one who can’t stop listening to it - the official video has 36,000,000+ Youtube views – and the song hit #1 in Australia, New Zealand and Israel.  It is also a top 10 hit in the United States, Canada, Ireland, Austria, Italy, Belgium, and the United Kingdom.  Perfect cool down energy.  (iTunes offers a dance remix by DJ Space’C, but why mess with perfection?  This song is that good.)

One Life – Hedley (3:33):  A little extra cool down and goodbye music.

If you want to use the 45 minute version of this playlist that I used today, just skip Turn It Up, Sweet Nothing and Survival (all climbs), and you probably won’t need the second cool down song (though I would leave it in as I like to have enough music to last through clean up and everyone’s departure.)

Have I mentioned that I’m really enjoying Di’s Work Out With Di blog?  She offers tips for putting together a playlist here.  Like me, she looks for songs first, and creates a class around the music, which is pretty much Spinning heresy.  I am NOT saying that I sacrifice training principles for music – there is so much flexibility in the music we choose that you can achieve any training goal and still use great tunes.

Di’s tip to mix genres and dates allows you to create playlists with more legs (a journalism term for a story with longevity).  I have a weakness for Top 40 but an all Top 40 playlist like this one is just gonna sound dated in a year or two.  (For that, I do what Di does – cherry pick songs into new playlists).  Di is right about Top 40 – it is going to have great appeal to a certain segment of the population and is likely to leave other riders cold.  I had at least half a dozen riders over 45 in my class today – I got great feedback from one of the guys that he liked the class – but I do feel like I should mix it up a little more.

What do you think?  How central is the music for you?  Do you try to create playlists with legs or just go with what’s getting lots of airplay?








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